I recently came across a blog post about the need for more critical writing about photography. I didn’t find this directly from the source (mainly because I rarely visit that particular blog), but found it nonetheless. I also didn’t find it particularly interesting. I invite you all to read the post found on Conscientious blog titled We Need Better Critical Writing about Photography (originally posted July 22, 2010). Below is my rant, in no particular order or thought pattern:
First off, I love how he links to one of his own heady papers to somehow try to prove that he knows what he’s talking about when it comes to critical writing and its need to be “better.” That’s just plan laughable. Here’s my version of the same concept.
If he’s worked in academia long enough, I would think that he would realize that anyone picking up Michael Fried’s Why Photography Matters as Art as Never Before is probably involved in academia to some degree! Or, at some point has read some critical theory in relation to photography and knows what they are in for when they pick up that book. Some guy going in to buy his issue of popular photography isn’t going to walk by and decide to pick this up thinking it’s going to tell him about the new Canon camera body or the latest fad of neon-painted lens babies. He even says “Unless you’re an academic,” when referring to Fried’s book. But who else is really going to pick up that book!? Don’t you suppose it was made for those in academia?
Needless to say I was less than impressed with this short article about needing “better critical writing about photography.” Plus his claims of poor (or jargon-filled writings) are not very sound. The excerpt he includes from Fried’s book is actually quite sound. Anyone actually interested in reading critical writing about photography would likely have preexisting knowledge and experience with critical theory of some sort, and this would likely make sense to them too. So what’s not to get!?
I think what he really wants to do is dumb down “critical” writing—make it internet-safe—so that his blog can thrive. He even goes on to mention, at the conclusion of his post, that we’ve already seen some examples of great critical writing if we’ve been following his blog. Give me a break! Plug your own crappy blog as a source of the next big thing in critical writing about photography!? I never browse that blog for the writing cause it’s one-sided and biased. Plus his photographic interests are all the same and boring. Get a clue, YOU DON’T RUN THE INTERNET OR THE ART WORLD.
Yes, maybe we need more writing about photography that is not to heavily based in academia. If that’s his argument, then he should have made examples as such! Don’t pick a book that was clearly catered toward an academic audience to try to make your point. It’s invalid! My suggestion is that he return to Michael Fried’s book and actually spend some time with it. Read the “unnamed magazine” that he is perhaps too afraid to attempt to understand. Get off your high horse and leave academia to academics.
I would also like to mention that I will make no claims that “art is hard” is the next best thing in critical writing. If you have been following this blog (which I am sure you have not been doing), you would know this already.
Thanks for putting up with my rant, I’m done now and will return to hibernation until Bravo’s Work of Art is over and the art world is safe again (don’t get me started).



